In a landmark
judgement in 2014, the Supreme Court of India officially recognized transsexual
people as a third gender. The comprehensive judgement redefines their rights
and the state's obligation to them as one of India's most marginalized groups.
They are now
occupying important positions in administration, leading colleges and moving
forward one step at a time.
But discrimination
and lack of understanding still leave the Hijra minority on the fringes of
society. Even though they have been a visible part of India's culture for
centuries, this minority suffers from harassment, and misunderstanding.
Yes, hijras or
transsexuals are still discriminated against.
Due to lack of
equal opportunities, many of them are still trapped in the sex trade, while
most earn their living by prostitution, begging or as dancers, they are often
subjected to abuse and discrimination.
Violence and hate
crimes against the community are common, as is housing and other
discrimination, because of which many live in poverty. They face severe
harassment at the hands of the state and the wider population.
Even today, the
hijra community continues to serve as a refuge for many people experiencing,
poverty, violence and family rejection. Unfortunately, all of these scenarios
are heartbreakingly common in India, where culturally queer identities are
still seen as unnatural.
The truth is that people in our country rarely appreciate their grace and beauty that they so desperately wish to be.
Jill Peters, a photographer from New York, who explores sexuality, identity and culture and her recent work 'Nirvan, the Third', documents the hijra community in India. He captured some of the third genders in their most beautiful self.
“My intention was simply to portray them as the subjects of beauty and grace they so desperately wish to be, as if their path to nirvana had not been impeded by a century and a half of prejudice and intolerance.” Jill Peters.
Peters said, she approached a beautiful hijra on a Mumbai street and asked if she could take her photograph. That shoot inspired a series of portraits of eunuchs in a studio and, later, on the beach.
Banu, Harsha, Debo, Muskan, Anusha, Sangeeta, Julie all are looking amazingly stunning and graceful in these portraits....
"When they come to my house, it becomes a paradise,
Their shadow makes me mesmerized.
In highways, I see them fighting with there lives,
For their existence I see them crying.
They are a life sacrificed in someplace,
A cherished gender possession in some.
Shiv and Shakti; A benevolent having both is a deity itself.
So when they come near you,
Have some love, show some love, and be the love.
Cause they are the form of feminine even a mother couldn’t be,
A power so masculine you can’t compete or seek."
-
RIYA SHAH
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